×
40 914
Fashion Jobs
ESTÉE LAUDER COMPANIES
Latam E-Commerce Project Manager/Product Owner
Permanent · New York
MICHAEL KORS RETAIL INC
Sales Supervisor, Crabtree Valley, Raleigh nc
Permanent · Raleigh
GAP
General Manager - Lenox Square (Kids & Baby)
Permanent · Atlanta
GAP
General Manager - Northbrook Court
Permanent · Northbrook
GAP
General Manager- Stonebriar Mall
Permanent · Frisco
GAP
General Manager - Roseville Galleria
Permanent · Roseville
GAP
General Manager - Central Texas Marketplace
Permanent · Waco
GAP
Merchandise Planner - Boys - Outlet
Permanent · New York
GAP
Unassigned General Manager - Greater Nashville
Permanent · Nashville
ALICE AND OLIVIA
Sales Supervisor - Cabazon Outlet
Permanent · Cabazon
TARGET CORPORATION
Owned Brand Product Design Director, Pets
Permanent · MINNEAPOLIS
LA MER
Manager, Global Supply Chain Operations - Inventory
Permanent · New York
MAC
Business Development – Key Consumer Manager, Mac
Permanent · New York
H&M
Retail Flagship Visual Manager
Permanent · Chicago
JBCSTYLE
Art Director
Permanent · NEW YORK
JBCSTYLE
Sales Operations Coordinator
Permanent · NEW YORK
ESTÉE LAUDER COMPANIES
Manager, Solution Architect- Omni Retail
Permanent · New York
TOM FORD BEAUTY
Vice President, Marketing, Tom Ford Beauty North America
Permanent · New York
ESTÉE LAUDER COMPANIES
Category Insights Manager - Supply Chain
Permanent · New York
ESTÉE LAUDER COMPANIES
Senior Account Coordinator, Estee Lauder Travel Retail – Americas
Permanent · Los Angeles
ESTÉE LAUDER COMPANIES
Manager, Product Manager
Permanent · New York
ALICE AND OLIVIA
Sales Supervisor - Town Center at Boca Raton
Permanent · Boca Raton

Metal, fur and pleats: style-spotting for next winter

By
AFP
Published
today Mar 8, 2012
Reading time
access_time 2 minutes
Share
Download
Download the article
Print
Click here to print
Text size
aA+ aA-

PARIS - As Paris Fashion Week draws to a close, here are some of the looks likely to travel from catwalk to sidewalk next winter, from long skirts over pants to hints of metal, lots of knitwear and touches of fur.


Cédric Charlier - AW 2012/13 - Photo: Pixel Formula

CHAIN MAIL: Used on sleeveless dresses of violet or green in Stefano Pilati's swansong collection for Yves Saint Laurent, or at Paco Rabanne, whose founder invented the chain mail dress in the 1960s.

GOOD GIRLS: Demure necklines were buttoned closed or straight across the collarbones, draw attention to the face -- rather than the bust. Transparency was the exception rather than the rule.

METAL: Hints of metal and copper were everywhere, like in the accessories at the Belgian Cedric Charlier.

ORANGE AND GOLD: Highlights at Giorgio Armani, the colours also popped up on furs at Jean Paul Gaultier. Guy Laroche combined gold and rust, while Viktor and Rolf went for fiery orange and gold.

PATCHWORK: Puzzle-like dresses by Gianfranco Ferre placed panels of leather beside suede or fox. Louis Vuitton shaped a black dress from squares of mat and shiny leather, and Felipe Oliveira Baptista worked glossy patent leathers with buttery-soft ones.

PLEATS: Already a strong trend for the coming summer, pleats are set to stay through until the cold weather, especially on long swishing skirts.

RABBIT: The soft -- and less costly -- variety of fur cropped up at the French house Carven, or in a leopard-print version at Isabel Marant.

SHOULDERS: Square, raised shoulders defined richly-embroidered jackets at Balmain, or redingote coats at Givenchy or Louis Vuitton.

SLEEVES: Exaggeratedly long, at Viktor and Rolf or Alexander McQueen.

SLIM: A timely trend as their champion Hedi Slimane prepares to return to fashion at Yves Saint Laurent, slim pants were paired with long skirts, or worn alone -- like at the Cypriot Hussein Chalayan where they seemed painted onto the models' legs.

Copyright © 2019 AFP. All rights reserved. All information displayed in this section (dispatches, photographs, logos) are protected by intellectual property rights owned by Agence France-Presse. As a consequence you may not copy, reproduce, modify, transmit, publish, display or in any way commercially exploit any of the contents of this section without the prior written consent of Agence France-Presses.